Claudio Monteverdi: L'Orfeo

Julian Prégardien, tenor / Orfeo
Nathanaël Tavernier, bass / Caronte, 4th Shepherd, 3rd Spirit
Thomas Berau, baritone / Plutone
Ilya Lapich, baritone / Apollo, 4th Spirit
Shachar Lavi, mezzo-soprano / La Musica, La Speranza
Amelia Scicolone, soprano / Euridice, Echo
Marie-Belle Sandis, mezzo-soprano / Messenger
Yaara Attias, soprano / Nymph
Ruth Häde, mezzo-soprano / Proserpina, 1st Shepherd
Rafael Helbig-Kostka, tenor / 2nd Shepherd, 1st Spirit
Raphael Wittmer, tenor / 3rd Shepherd, 2nd Ghost
Il Gusto Barocco, orchestra
Men's choir of the National Theatre

Jörg Halubek, musical director
Markus Bothe, director
Robert Schweer, set design
Justina Klimczyk, costumes
Damian Chmielarz, lighting
Cordula Demattio, dramaturgy
Alistair Lilley, choir director

Gaetano Donizetti: Lucie de Lammermoor

Sabine Devieilhe, Lucie Ashton
Etienne Dupuis, Henri Ashton
Léo Vermot-Desroches, Edgard Ravenswood
Edwin Crossley-Mercer, Raymond Bidebent
NN, Lord Arthur Bucklaw
Yoann Le Lan, Gilbert

accentus Chor
Insula orchestra
Speranza Scappucci, musical direction
Evgeny Titov, stage direction
Lizzie Clachan, stage
Emma Ryott, costumes
Konstantin Sonneson, light

Johanna Wallroth, soprano
Anja Mittermüller, mezzo-soprano
Jan Petryka, tenor
Georg Klimbacher, bass-baritone

Cappella Andrea Barca
Sir András Schiff, fortepiano & artistic director

Claudio Monteverdi: L'Orfeo

Julian Prégardien, tenor / Orfeo
Nathanaël Tavernier, bass / Caronte, 4th Shepherd, 3rd Spirit
Thomas Berau, baritone / Plutone
Ilya Lapich, baritone / Apollo, 4th Spirit
Shachar Lavi, mezzo-soprano / La Musica, La Speranza
Amelia Scicolone, soprano / Euridice, Echo
Marie-Belle Sandis, mezzo-soprano / Messenger
Yaara Attias, soprano / Nymph
Ruth Häde, mezzo-soprano / Proserpina, 1st Shepherd
Rafael Helbig-Kostka, tenor / 2nd Shepherd, 1st Spirit
Raphael Wittmer, tenor / 3rd Shepherd, 2nd Ghost
Il Gusto Barocco, orchestra
Men's choir of the National Theatre

Jörg Halubek, musical director
Markus Bothe, director
Robert Schweer, set design
Justina Klimczyk, costumes
Damian Chmielarz, lighting
Cordula Demattio, dramaturgy
Alistair Lilley, choir director

Franz Schubert: Die schöne Müllerin op. 25, D 795

Georg Nigl, baritone
Alexander Gergelyfi, square piano

Johann Sebastian Bach: Ich habe genug, BWV 82
Richard Strauss: "Tod und Verklärung" Tone poem op. 24
Felix Mendelssohn Bartholdy: Die erste Walpurgisnacht

Markus Volpert, bass (Bach)
Sophie Harmsen, alto
Werner Güra, tenor
Florian Boesch, baritone
Euskadiko Orkestra
Alexander Liebreich, conductor
Donostiako Orfeoia, chorus
José Antonio Sainz Alfaro, chorus conductor

Gaetano Donizetti: Lucie de Lammermoor

Sabine Devieilhe, Lucie Ashton
Etienne Dupuis, Henri Ashton
Léo Vermot-Desroches, Edgard Ravenswood
Edwin Crossley-Mercer, Raymond Bidebent
NN, Lord Arthur Bucklaw
Yoann Le Lan, Gilbert

accentus Chor
Insula orchestra
Speranza Scappucci, musical direction
Evgeny Titov, stage direction
Lizzie Clachan, stage
Emma Ryott, costumes
Konstantin Sonneson, light

Michael Schade, tenor
Accademia del Piacere
Fahmi Alqhai, viola da gamba | musical direction

Sweeter than roses. The tradition of English Baroque song John Dowland (1563–1626)

Johann Sebastian Bach: Ich habe genug, BWV 82
Richard Strauss: "Tod und Verklärung" Tone poem op. 24
Felix Mendelssohn Bartholdy: Die erste Walpurgisnacht

Markus Volpert, bass (Bach)
Sophie Harmsen, alto
Werner Güra, tenor
Florian Boesch, baritone
Euskadiko Orkestra
Alexander Liebreich, conductor
Donostiako Orfeoia, chorus
José Antonio Sainz Alfaro, chorus conductor

Michael Schade, tenor
Accademia del Piacere
Fahmi Alqhai, viola da gamba | musical direction

Sweeter than roses. The tradition of English Baroque song John Dowland (1563–1626)