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The sum of our qualities is our quality!
The name Machreich stands not only for an invitation to active music-making and the economic success resulting from it. The agency’s founder and her colleagues dedicate themselves first and foremost to the unique artistic development of each of their singers. In an atmosphere of mutual trust and personal connection, individual projects can be conceived and inspiring constellations initiated. Intuition and discretion are the highest precepts for the work of a highly qualified team, which engages in its work with heart and mind.
(photo credit: Stephan Doleschal)
Machreich Artists Management
“Art is not, after all, a pretty add-on – it is the umbilical cord which connects us to the divine; it guarantees our identity as humans.”
(Nikolaus Harnoncourt)
CALENDAR
Franz Schubert: Die schöne Müllerin op. 25, D 795
Florian Boesch, Bassbaritone
Musikbanda Franui
Florian Boesch and the Tyrolean ensemble Franui, which transcends all musical boundaries, have teamed up for a very special song recital: with a polyphonic arrangement including tuba, dulcimer, accordion and harp, they lend Schubert's Die Schöne Müllerin a completely new, scenic-dramatic dimension in the Great Hall of the Brucknerhaus.
FURTHER INFORMATION & TICKETSDmitri Schostakowitsch: Four poems by the captain Lebjadkin op. 146
Dmitri Schostakowitsch: Quintet for piano and string quartet g-minor op. 57
Dmitri Schostakowitsch: Trio for piano, violin and violoncello Nr. 2 e-minor op. 67
Dmitri Schostakowitsch: «From the Jewish folk poetry» op. 79
Das Schostakowitsch Projekt 2025 - Initiated by Evgeny Kissin Part I
Chen Reiss, Soprano
Rachel Frenkel, Mezzosoprano
Michael Schade, Tenor
Alexander Roslavets, Bass
Evgeny Kissin, Piano
Gidon Kremer, Violin
Giedrė Dirvanauskaitė, Violoncello
Ernst Krenek: Reisebuch aus den österreichischen Alpen, op. 62
Florian Boesch, Bassbaritone
Malcolm Martineau, Piano
Krenek’s 1929 song cycle, inspired by the recent centenary of Schubert’s death and perceptive reflections on the precipitous fall of the Habsburg Empire, charts what its composer described as a ‘pilgrimage to the sacred shrines of Austria’s landscape and history’.
FURTHER INFORMATION & TICKETSWolfgang Amadeus Mozart: Die Zauberflöte
Hubert Kowalczyk, Sarastro
Aaron Godfrey-Mayes, Tamino
Olivia Boen, Pamina
David Minseok Kang, Sprecher
Aleksandra Olczyk, Königin der Nacht
Hellen Kwon, Erste Dame
Claire Gascoin, Zweite Dame
Ida Aldrian, Dritte Dame
Nicholas Mogg, Papageno
Peter Gailliard, Monostatos
Yeonjoo Katharina Jang, Papagena
Mziwamadoda Sipho Nodlayiya, Erster Geharnischter
David Minseok Kang, Zweiter Geharnischter
Solisten des Hamburger Knabenchores, Drei Knaben
Leo Hussain, conductor
Jette Steckel, director
Florian Lösche, stage design
Pauline Hüners, costume design
Johannes Blum | Carl Hegemann, dramaturgy
EINS[23].TV (Alexander Bunge), video
Paulus Vogt, lighting design
Eberhard Friedrich, chorus master
Luiz de Godoy, chorus master children's choir
Philharmonisches Staatsorchester Hamburg
Chor der Hamburgischen Staatsoper
Thomas Quasthoff, vocals
Simon Oslender, keys
Dieter Ilg, double bass
Wolfgang Haffner, percussion
Richard Strauss: »Ariadne auf Naxos« – Ouverture and Dance Scene op. 60
Robert Schumann: Concert for piano and orchestra in a-minor, op. 54
Béla Bartók: Suite Nr. 2 op. 4 BB 40
Lukas Sternath, Piano
Kammerakademie Potsdam
Antonello Manacorda, Musical Direction