The name Machreich stands not only for an invitation to active music-making and the economic success resulting from it. The agency’s founder and her colleagues dedicate themselves first and foremost to the unique artistic development of each of their singers. In an atmosphere of mutual trust and personal connection, individual projects can be conceived and inspiring constellations initiated. Intuition and discretion are the highest precepts for the work of a highly qualified team, which engages in its work with heart and mind.
(photo credit: Stephan Doleschal)
“Art is not, after all, a pretty add-on – it is the umbilical cord which connects us to the divine; it guarantees our identity as humans.”
(Nikolaus Harnoncourt)
Wolfgang Amadeus Mozart: Die Zauberflöte
Hubert Kowalczyk, Sarastro
Dovlet Nurgeldiyev, Tamino
Liv Redpath, Pamina
Chao Deng, Sprecher
Mziwamadoda Sipho Nodlayiya, Priester
Aleksandra Olczyk, Königin der Nacht
Narea Son, Erste Dame
Kady Evanyshyn, Zweite Dame
Ida Aldrian, Dritte Dame
Andrew Hamilton, Papageno
Peter Galliard, Monostatos
Marie Maidowski, Papagena
Jürgen Sacher, Erster Geharnischter
Keith Klein, Zweiter Geharnischter
Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper, Drei Knaben
Keren Kagarlitsky, conductor
Jette Steckel, director
Florian Lösche, set designer
Pauline Hüners, costume designer
Johannes Blum, Carl Hegemann, dramaturgy
EINS[23].TV (Alexander Bunge), videos
Paulus Vogt, lighting designer
Christian Günther, chorus master
Philharmonisches Staatsorchester Hamburg
Chor der Hamburgischen Staatsoper
Ludwig van Beethoven: Symphony No. 9 in D minor op. 125
Christiane Karg, soprano
Beth Taylor, alto
Julian Prégardien, tenor
Alexander Grassauer, bass-baritone
Vienna Symphony Orchestra
Vienna Singing Academy
Dima Slobodeniouk, Conductor
Ludwig van Beethoven: Symphony No. 9 in D minor op. 125
Christiane Karg, soprano
Beth Taylor, alto
Julian Prégardien, tenor
Alexander Grassauer, bass-baritone
Vienna Symphony Orchestra
Vienna Singing Academy
Dima Slobodeniouk, Conductor
Johann Strauss: Die Fledermaus
Jonas Kaufmann, Gabriel von Eisenstein
Diana Damrau, Rosalinde
Jochen Schmeckenbecher, Frank
Daria Sushkova, Prince Orlofsky
Jörg Schneider, Alfred, a tenor
Adrian Eröd, Dr Falke
Ilia Staple, Adele
Michael Niavarani, Frog
Markus Poschner, musical direction
Otto Schenk, staging
Olivia Vermeulen, mezzo-soprano
Sebastian Wienand, fortepiano
Freiburg Baroque Orchestra
Éva Borhi violin & conductor
Works from George Frideric Handel to Wolfgang Amadeus Mozart up to the 20th century
The Dutch mezzo-soprano Olivia Vermeulen is one of the most versatile artists of her time, far beyond historically informed performance practice. She is a familiar face to our audiences as a regular soloist in concerts with René Jacobs. In 2024, she sang La Musica in Monteverdi's L'Orfeo with dignity and color, and a few months ago she brought dramatic depth to the role of Idamante in Mozart's Idomeneo. Both times, she received rapturous acclaim from audiences in Freiburg and Berlin.
She also recently received a lot of press attention with her album Dirty Minds, which features songs by Kurt Weill, Alban Berg, Hugo Wolf and others.
All this is reason enough for the FBO to present the 2025 New Year's Eve concert with Olivia Vermeulen. With a colorful, epoch-spanning program ranging from George Frideric Handel and Wolfgang Amadeus Mozart to the 20th century, the mezzo-soprano can impressively demonstrate her stylistic range, while the FBO showcases its modern side.
FURTHER INFORMATION & TICKETSLudwig van Beethoven: Symphony No 9 in D minor, Op. 125
Eleanor Lyons, soprano
Katrin Wundsam, mezzo-soprano
Marco Jentzsch, tenor
Johannes Kammler, baritone
Dominic Limburg, conductor
Duisburger Philharmoniker
Philharmonischer Chor Duisburg
Marcus Strümpe, choirmaster